A documentary about the making of Sam Peckinpah's last western, "Pat Garrett and Billy the Kid" (1973).

A documentary about Sam Peckinpah's "Cross of Iron," shot in Yugoslavia in 1976.

For cineasts worldwide Sam Peckinpah is best known for his 1969 masterpiece The Wild Bunch. Yet for the general 'mainstream' audience, the film everybody seems to know when the name Peckinpah is mentioned, is Convoy, Peckinpah's biggest success at the box office. But the entertaining actioner that had turned out to be a commercial winner and a public favorite in fact had a very troubled production history.

A documentary about Sam Peckinpah's personal director's cut of his last film The Osterman Weekend (1983); recently restored by film historian Mike Siegel. Siegel documents the discovery and acquisition of the 35mm print after 24 years of unprotected storage; outlining the process of cleaning and scanning the film as well as some assets now lost to time.

A new documentary about Sam Peckinpah's 1974 film 'Bring me the head of Alfredo Garcia'.

A documentary about the making of Sam Peckinpah's 1972 classic film The Getaway.

Adam’s Passion is the moving first collaboration between two “masters of slow motion who harmonize perfectly with each other” (Frankfurter Allgemeine Zeitung). In the spectacular setting of a former submarine factory, American director and universal artist Robert Wilson creates a poetic visual world in which the mystical musical language of the Estonian composer Arvo Pärt can cast its meditative spell. Three of Pärt’s major works – Adam’s Lament, Tabula rasa, and Miserere, as well as Sequentia, a new work composed especially for this production – are brought together here using light, space, and movement to create a tightly-woven Gesamtkunstwerk in which the artistic visions of these two great artists mirror each other.

Janet, a prison psychologist for potential parolees, finds herself drawn to Robert Moss, an inmate convicted of a bank robbery. After his release she and Moss begin a heated affair, but as he struggles to adjust to life "on the outside," someone is murdered. Will Janet turn in her dangerous lover before she becomes his next victim?

Set in early 1900s France, a widow renews a former romantic interest until it is discovered that he has had a past fling with one of her new employees, a nanny. This sets the two women into many well-mannered accusations and conversations, but no modern brawling, and puts him in the middle or possibly on the outside.

Anzhelika is a young waitress with one special quality - her libido goes sky high during the thunderstorm...